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Heritage Program:  Frequently Asked Questions

March 28, 2008

1.  What is the Heritage Program of The Saint John’s Bible?

The Heritage Program is the only full-size, fine art reproduction of The Saint John’s Bible.  There are four signed and limited editions. Each edition includes a volume of commentary.

 Three editions are reserved for benefactors to the Heritage Program and The Saint John’s Bible:

 The Apostles Edition – seven volume sets reserved for donors who make new gifts to Saint John’s University in support of the Heritage Program and The Saint John’s Bible.   

Prophets Edition – seven volume sets reserved for donors who increase a current gift to The Saint John’s Bible in support of the Heritage Program and The Saint John’s Bible  

Patriarchs Edition – five volume sets reserved for donors who make new gifts to Saint John’s University in support of the Heritage Program and The Saint John’s Bible, but who are particularly interested in the first five volumes of the set.   

All three Benefactor Editions are limited to 12 sets and include an original work of art by Donald Jackson, a handcrafted dedication page, and a cabinet designed and built by the Abbey Woodworking Shop.  Each volume will be signed personally by Donald Jackson. 

Heritage Edition -   Both the five volume and seven volume sets are available for direct purchase by subscription.  There are 299 sets in the seven volume Heritage Edition and 25 sets in the five volume Heritage Edition.

2.  Why create reproductions of The Saint John’s Bible?

Since the inception of The Saint John’s Bible more than 10 years ago, two of the major goals have been to share The Saint John’s Bible worldwide and make it accessible to everyone. At the genesis of this project, we imagined creating a limited edition, fine art reproduction of The Saint John's Bible, complete with a commentary volume.   

3.  Is the Heritage Program the only fine art reproduction of The Saint John’s Bible?

Yes, the Heritage Program is the only fine art reproduction and will be limited to 360 sets.  There are smaller reproduction volumes of The Saint John’s Bible which are available at bookstores and from Saint John’s University, but the Heritage Program is the only full-size, fine art reproduction that will be published.

4.  How close to the original is the reproduction?

This is a reproduction of the original work - a new work of printed art which keeps intact the artistic intent of the original.  The reproduction has involved the finest printing experts and binders to ensure faithful representation of the original manuscript. Each page and illumination has been scrupulously compared to its original counterpart to guarantee accurate reproduction. Donald Jackson, the artistic director of The Saint John’s Bible, is art directing the Heritage Program. 

5.  How many sets of the Heritage Program of The Saint John’s Bible will be created?

The Heritage Program is limited to 360 sets.  A commentary is provided with each set.

6.  What was the process used to produce the reproductions?

The editions of the Heritage Program are printed on 100% cotton paper without whiteners, brighteners or fillers using lightfast ultraviolet inks.  Each color is dried instantaneously on press before the next color is laid on allowing for exacting reproduction of the detail in each illumination.  Gold and silver treatments use gold and silver foils to replicate the gold and silver of the illuminations. 

7.  Who is acquiring the reproductions?

Private collectors and institutions are acquiring the reproductions. These volumes are the perfect capstone for any collection of fine art or books. They make wonderful gifts from individuals or groups to their churches or synagogues. Likewise, the editions of the Heritage Program are finding their way into colleges, universities and seminary libraries, reminding all who see the volumes of the long history of both Bible and book, and of their eternal significance.

8.  How are the reproductions being purchased?

The reproductions are available by making a new gift to Saint John’s University in support of the Heritage Program and The Saint John’s Bible (Apostles Edition and Patriarchs Edition); by increasing a current gift to Saint John’s University in support of the Heritage Program and The Saint John’s Bible (Prophets Edition); or by subscription purchase (Heritage Edition).

9.  How is Saint John’s using the sales proceeds from the reproductions?

Proceeds from the sales of reproductions of The Saint John’s Bible will fund student scholarships, the continuing preservation of endangered manuscripts worldwide, a permanent home for The Saint John’s Bible and scholarly work related to this monumental masterpiece.

10.  How are the reproductions being authenticated?

Each set will be signed by Donald Jackson. The Benefactors Editions will include a handcrafted dedication page as well.

The Saint John’s Bible

1. Why has Saint John’s University commissioned a handwritten Bible? What is the significance of a handwritten Bible?
  • Igniting spiritual imagination
  • Using ancient techniques
  • Incorporating modern methods and themes

At the onset of a new millennium, Saint John’s University and the monks of Saint John’s Abbey are seeking to ignite the spiritual imagination of people throughout the world by commissioning a work of art that illuminates the world today. This will be the first time in 500 years that a Benedictine Monastery has commissioned a handwritten, illuminated Bible. Its construction will parallel that of its medieval predecessors, written on vellum, using quills, natural handmade inks, hand-ground pigments and gold leaf while incorporating modern themes, images and technology of the 21st century.

2. What is the goal of The Saint John’s Bible? Who do you intend to reach, and what message are you trying to convey?

  • To ignite spiritual imagination throughout the world
  • To develop programs related to The Saint John’s Bible in spirituality, art and education
  • To bring alive the Word of God in the new millennium

The goal of The Saint John’s Bible is to ignite the spiritual imagination of all peoples throughout the world by commissioning a work of art that illuminates the Word of God for a new millennium, in a way that is relevant to the 21st century. It is a prophetic witness to the Word of God in our day and beyond, an opportunity for learning and scholarship and a dignified expression of the Benedictine vision: "That in all things God may be glorified.”

3. What makes this Bible unique?

  • It is the first handwritten, illuminated Bible commissioned by a Benedictine Monastery in 500 years
  • Combination of ancient methods and materials with modern themes, images and technology
  • Reflection of Saint John’s commitment to Scripture and the Book Arts
  • Source of spiritual, artistic, educational and scholarly programming
  • Most people have never seen a book this large.
  • Most have never seen such an endless stream of elegant script.
  • Most have seen neither gold-leaf nor pages of vellum to which it is applied.

The unique aspect of the Bible is that it will be a Bible for our time. It will be a combination of ancient methods and materials with themes, images and technology of the 21st century and beyond. The Saint John’s Bible will represent humankind’s achievements over the past 500 years. It will be a contemporary blending of religious imagery from various Eastern and Western traditions, as befits our modern understanding of the global village. This Bible reflects Saint John’s commitment to Scripture and to the Book Arts, as well as to spiritual, artistic, educational and scholarly programming.

When people see the Bible they are immediately impressed by the sheer physicality of The Saint John’s Bible. Most have never seen a book this large. Most have never seen such an endless stream of elegant script. Most have seen neither gold-leaf nor pages of vellum to which it is applied. Too many are accustomed to Bibles that feature cramped type on onion-skin paper, and so they never anticipate the spacious pages and the carefully-planned arrangement of text that invites one to linger over phrases, words and even letters. This Bible literally presents the Word of God as something special.

 

The Saint John’s Bible
Frequently Asked Questions

April 22, 2004

  1. Why has Saint John’s University commissioned a handwritten Bible? What is the significance of a handwritten Bible?
  2. What is the history of handwritten Scriptures? Are they still created today?
  3. What will make this Bible unique?
  4. Why Saint John’s Abbey and University?
  5. What role does Saint John’s play in the creation of the Bible project?
  6. What is the goal of The Saint John’s Bible? Who do you intend to reach, and what message are you trying to convey?
  7. Why did Saint John’s University chosen Donald Jackson as the calligraphic artist for The Saint John’s Bible? Why wasn’t an American artist chosen for the Project?
  8. Where is Donald Jackson’s scriptorium located? Does he work alone or in collaboration with other calligraphers?
  9. Why have you chosen to use the New Revised Standard Version of the Bible?
  10. When will the Bible be completed? What will be its dimensions?
  11. What are the plans for the Bible? How will it be used?
  12. What other religious traditions have played a role in the formation of The Saint John’s Bible?
  13. Does the impact of this project justify the tremendous amount of time, energy and money that could potentially be spent in other beneficial ways?
  14. Will this book be available for sale in some form?
  15. How are people staying in touch with the creation of the Bible?
  16. Could this be considered an antiquated exercise that does not address the needs of Christians today?
  17. What effect can one handwritten Bible have? Why haven’t you chosen to do something more contemporary, such as publishing this Bible on the World Wide Web?
  18. How can I support this project?

Q1. Why has Saint John’s University commissioned a handwritten Bible? What is the significance of a handwritten Bible?
  • Igniting spiritual imagination
  • Using ancient techniques
  • Incorporating modern methods and themes

At the onset of a new millennium, Saint John’s University and the monks of Saint John’s Abbey are seeking to ignite the spiritual imagination of people throughout the world by commissioning a work of art that illuminates the world today. This will be the first time in 500 years that a Benedictine Monastery has commissioned a handwritten, illuminated Bible. Its construction will parallel that of its medieval predecessors, written on vellum, using quills, natural handmade inks, hand-ground pigments and gold leaf while incorporating modern themes, images and technology of the 21st century.

Q2. What is the history of handwritten Scriptures? Are they still created today?
  • Christian tradition
  • The other two monotheistic faiths: Judaism, Islam (as well as other religious traditions.)

As far as we know, the last complete handwritten, illuminated Bible was commissioned shortly after the invention of the printing press at the end of the 15th century. Although Judaism continues the practice of the handwritten Torah, and Islam does so with the Qu’ran, Western Christianity has virtually discontinued the practice of handwritten Bibles since the invention of the printing press. It should be noted that Buddhism and Hinduism also have a calligraphic tradition.

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Q3. What will make this Bible unique?
  • It is the first handwritten, illuminated Bibles commissioned by a Benedictine Monastery in 500 years
  • Combination of ancient methods and materials with modern themes, images and technology
  • Reflection of Saint John’s commitment to Scripture and the Book Arts
  • Source of spiritual, artistic, educational and scholarly programming
  • Most people have never seen a book this large.
  • Most have never seen such an endless stream of elegant script.
  • Most have seen neither gold-leaf nor pages of vellum to which it is applied.

The unique aspect of the Bible is that it will be a Bible for our time. It will be a combination of ancient methods and materials with themes, images and technology of the 21st century and beyond. The Saint John’s Bible will represent humankind’s achievements over the past 500 years. It will be a contemporary blending of religious imagery from various Eastern and Western traditions, as befits our modern understanding of the global village. This Bible reflects Saint John’s commitment to Scripture and to the Book Arts, as well as to spiritual, artistic, educational and scholarly programming.

When people see the Bible they are immediately impressed by the sheer physicality of The Saint John’s Bible. Most have never seen a book this large. Most have never seen such an endless stream of elegant script. Most have seen neither gold-leaf nor pages of vellum to which it is applied. Too many are accustomed to Bibles that feature cramped type on onion-skin paper, and so they never anticipate the spacious pages and the carefully-planned arrangement of text that invites one to linger over phrases, words and even letters. This Bible literally presents the Word of God as something special.

Q4. Why Saint John’s Abbey and University?
  • Building on Benedictine heritage
  • Natural expansion of the Book Arts programs sponsored by Saint John’s and Saint Benedict’s

For fifteen hundred years, Benedictine monasteries have acted as producers and protectors of books. In keeping with that heritage, Saint John’s has become an international center of the Book Arts. Saint John’s has well established programs celebrating the history of the book, including the Hill Museum & Manuscript Library (HMML), Arca Artium, and the Rare Books Collection. Scholars from all over the world conduct research using the resources at Saint John’s. Its partner in education, The College of Saint Benedict, has its own Books Arts Program, in which it works closely with Graywolf Publishing. The Saint John’s Bible continues that tradition. The process of creating the Bible incorporates ancient art forms with modern techniques in a joint celebration of the traditional arts of bookmaking and modern science and sensibility.

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Q5. What role does Saint John’s play in the creation of the Bible project?
  • Monks, faculty, administrators and staff
  • Committee On Illumination and Text (CIT)

Saint John’s is not only the patron of the Bible, but has played a vital role in assembling the team of advisors, faculty, theologians, administrative staff, and artists that are collaborating on this project. Saint John’s Committee on Illumination and Text (CIT) decides which passages of the Bible will be illuminated and work with Donald Jackson, calligraphic artist, on the imagery used to depict these scripture passages, with an eye to interpreting them for our time.

Q6. What is the goal of The Saint John’s Bible? Who do you intend to reach, and what message are you trying to convey?
  • To ignite spiritual imagination throughout the world
  • To develop programs related to The Saint John’s Bible in spirituality, art and education
  • To bring alive the Word of God in the new millennium

The goal of The Saint John’s Bible is to ignite the spiritual imagination of all peoples throughout the world by commissioning a work of art that illuminates the Word of God for a new millennium, in a way that is relevant to the 21st century. It is a prophetic witness to the Word of God in our day and beyond, an opportunity for learning and scholarship and a dignified expression of the Benedictine vision: "That in all things God may be glorified.”

Q7. Why did Saint John’s University choose Donald Jackson as the calligraphic artist for The Saint John’s Bible? Why wasn’t an American artist chosen for the Project?
  • It was Donald Jackson’s lifelong dream to handwrite the Bible
  • Mr. Jackson’s leadership role in Calligraphy workshops at Saint John’s
  • One of the world’s foremost Western calligraphers
  • Scribe to Her Majesty Queen Elizabeth’s Crown Office at the House of Lords
  • Global perspective

During an interview with Barbara Walters on The Today Show in 1970, Donald Jackson expressed his life's dream. When asked about his ultimate ambition, he indicated that one day he would like to write the Bible. Later he described it this way: "The Bible is the calligraphic artist's supreme challenge (our Sistine Chapel), a daunting task." Donald Jackson is considered one of the world’s foremost Western calligraphers and has trained and encouraged many of America’s top calligraphers. He has a long and illustrative relationship with Saint John’s. For more than two decades, he has led seminars and workshops hosted by Saint John’s for the internationally recognized Calligraphy Connection. A Member of the Victorian Order, he is scribe to Her Majesty Queen Elizabeth’s Crown Office at the House of Lords. His education included six years of specialization in Calligraphy, Lettering and Bookbinding. Mr. Jackson brings a global perspective to The Saint John’s Bible Project. He has said this project is his “Sistine Chapel,” and together we are committed to completing this historic undertaking.

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Q8. Where is Donald Jackson’s scriptorium located? Does he work alone or in collaboration with other calligraphers?
  • Working in Wales with other calligraphers and artisans
  • Working at Saint John’s with artists and theologians

Donald Jackson’s scriptorium is located in Wales where he spends most of his time working on The Saint John’s Bible. He leads a team of calligraphers writing and illuminating the Bible. The team is made up of skilled scribes, some who work at the scriptorium and others who take pages of vellum back to their own studios. Mr. Jackson comes to Saint John’s on a regular basis. There he consults with the Committee on Illumination and Text, meets with friends of the project and spends time on the Saint John’s campus.

Q9. Why have you chosen to use the New Revised Standard Version of the Bible?
  • Christian scholars from the major churches
  • Theologically sound

The translation of the Bible known as the New Revised Standard Version (NRSV) was chosen for The Saint John’s Bible for a number of reasons. Its predecessor, the Revised Standard Version of the Bible, had the distinction of being officially authorized for use by most major Christian churches: Protestant, Anglican, Roman Catholic and Eastern Orthodox. Also, NRSV is a modern English translation with a strong literal tradition. It employs gender-inclusive language for references to men and women, usually done in a non-obtrusive manner.

Q10. When will the Bible be completed? What will be its dimensions?
  • Gospel and Acts of Apostles (the first volume to be completed) May 2002
  • Last volume—2009
  • A total of seven volumes, each 15 ¾” wide by 23 ½” tall when closed
  • Total number of pages, approximately 1,150

Gospels and Acts of the Apostles was the first volume of The Saint John’s Bible to be written; completed in May 2002. Pentateuch was completed in August 2003 and the Book of Psalms was completed in April 2004, Prophets was completed in April 2005. Wisdom Books was completed in July of 2006. There are two more volumes to complete — Historical Books and Letters and Revelation. The final completion is scheduled for 2009. Binding into the seven volumes will not take place until all pages are complete and the national exhibition program has ended. The Bible in seven volumes will be large for liturgical and exhibition purposes (15 ¾” wide by 23 ½” tall when closed).

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Q11. What are the plans for the Bible? How will it be used?
  • Liturgy
  • Source of educational, religious and artistic programming and exhibitions
  • Documentation for the study of art, creativity and spiritual life
  • Exhibition

The Saint John’s Bible will be used by Saint John’s Abbey and University for liturgical purposes, as the book from which Scripture will be proclaimed during important Masses and other celebrations. In addition, the Bible will be a source for religious, artistic, educational and scholarly programming and exhibitions. The making of the Bible will be documented, using the latest in technology, for closer study of art, creativity, and the spiritual life, including a better understanding of new traditions in bookmaking and calligraphy. Saint John’s will be the home of The Saint John’s Bible.
A national tour of completed pages will take The Saint John’s Bible around the country over the next three to four years. International exhibitions are also planned with the first one taking place at the Victoria and Albert Museum in London.


Q12. What other religious traditions have played a role in the formation of The Saint John’s Bible?

  • Episcopalian, Protestant and Jewish advisors
  • Outreach to religious leaders from around the world

Episcopalian, Protestant and Jewish advisors have helped to form the vision of The Saint John’s Bible, serving as consultants and as members of committees dedicated to assisting Donald Jackson in the creation of The Saint John’s Bible.

Q13. Does the impact of this project justify the tremendous amount of time, energy and money that could potentially be spent in other beneficial ways?
  • Private funding
  • Saint John’s commitment to Scripture and Book Arts
  • Spiritual, artistic, educational and scholarly programming
  • Everlasting impact

At a cost of approximately 5.5 million dollars, The Saint John’s Bible is funded completely through private donations from individuals, groups, and corporations. It is not financed with University money. In addition, this project exemplifies Saint John’s commitment to Scripture and the Book Arts as well as spiritual, artistic, educational and scholarly programming. Through its spirit and its art and through the programs it inspires, The Saint John’s Bible has the potential to have a lasting impact upon the University and Abbey, upon their broader community and, indeed, upon the entire world. 

Q14. Will this book be available for sale in some form?
  • High-end facsimiles
  • Trade reproductions
  • Books about the project
  • Fine art prints
  • CD ROM

As part of the mission to make The Saint John’s Bible available to everyone, the University is currently working on plans to offer the Bible for sale in several forms: a limited edition of full size facsimiles, trade reproductions of each volume, a book describing the processes involved, a book of reflections and fine art prints.
Currently, books, cards, a DVD and fine art prints are available by on-line order at www.saintjohnsbible.org.
Four trade size (15” x 10”) volumes are now available for retail purchase: Pentateuch, Psalms and Gospels and Acts, and Prophets. Wisdom Books is expected to be released in late 2007. Ordering and price information may be obtained from Liturgical Press at 1-800-858-5450.

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Q15. How are people staying in touch with the creation of the Bible?

Access to The Saint John’s Bible is available on the Internet. Those interested in learning more about The Saint John’s Bible, about the project as a whole and its programming, and about how a person can become involved in the project, can learn more by visiting The Saint John’s Bible web site at www.saintjohnsbible.org  or by e-mailing The Saint John’s Bible at saintjohnsbible@csbsju.edu
Tours, presentation and exhibition inquiries may be directed to Tim Ternes at 320-363-3351 or Linda Orzechowski at 320-363-3514 or by e-mail at tternes@csbsju.edu or lorzechowsk@csbsju.edu

Q16. Could this be considered an antiquated exercise that does not address the needs of Christians today?
  • Ancient techniques combined with modern themes and technologies
  • Lasting legacy

In true Benedictine fashion, The Saint John’s Bible honors tradition while keeping abreast of the present and keeping an eye on the future. Using ancient techniques and modern sensibilities and technologies, the art of The Saint John’s Bible offers a scriptural understanding of modern themes. This combination offers Saint John’s an opportunity for a lasting legacy. As Eric Hollas OSB, a monk of Saint John’s Abbey and Senior Associate of Arts and Cultural Affairs at Saint John’s University said when asked about the significance of The Saint John’s Bible: “It’s the one thing we’ll probably be remembered for 500 years from now. The buildings will go. Most of the buildings that all of us see today are going to be gone 500 years from now. And oddly enough, this one piece of human artistic achievement, [The Saint John’s Bible] will probably still be here . . .”

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Q17. What effect can one handwritten Bible have? Why haven’t you chosen to do something more contemporary, such as publishing this Bible on the World Wide Web?

Saint John’s is inspiring people of all cultures and creeds with the spirit and beauty of this historic undertaking. We plan to reach an even larger audience through exhibition tours of the Bible to museums and libraries worldwide. One of the strengths of this project is its connection to the past and to the future. Contemporary aspects include its reflections of science, technology and space; its multicultural and interreligious imagery; and its depiction of women. Advanced technologies have also been used to create a digital template of the Bible. 

Q18. How can I support this project?

As the project continues to reach out to the community at large, we invite you to participate in The Saint John’s Bible by sponsoring a part of the Bible and attending an exhibition or event. All benefactors will receive The Saint John’s Bible newsletter along with announcements and invitations to various events and activities associated with the project. Visit www.saintjohnsbible.org for more information or call 1-800-635-7303 and ask for JoAnn, in Institutional Advancement.

 

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For additional information, please contact:

Linda Orzechowski
Public Services and Operations Assistant
HMML Saint John’s University
(320) 363-3514
lorzechowsk@csbsju.edu

   

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